Ridley Scott：Blade Runner

•  Actors: Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh
•  Directors: Ridley Scott
•  Writers: Hampton Fancher, David Webb Peoples, Philip K. Dick
•  Producers: Brian Kelly, Bud Yorkin, Charles de Lauzirika, Hampton Fancher
•  Format: Anamorphic, Closed-captioned, Color, Director's Cut, Dolby, DVD, Full Screen, Widescreen, NTSC
•  Language: English (Dolby Digital 2.0 Surround)
•  Subtitles: English, Spanish, French

Like any prolific writer, Ridley Scott, an eclectic and ambitious filmmaker, has had its ups and downs in his films------Blade Runner.

Faced with such an excellent film, no one knows where to begin. Blade Runner is such a shock, both narrative and graphic, that words are too weak to describe.

What about the daunting atmosphere, eerie, dark, rainy and dehumanized, stuffed reference punk, gothic, underground, except that it is a work of art to her own? What about the twilight photograph and rife with flashes of transcendent beauty? What about the female cast? What about a scenario so intelligent, so profound, so amazing that it leaves the viewer stunned?

                                             Blade Runner Theatrical Trailer

Blade Runner is a rough diamond, which handles the confusion and ambiguity, to paint a picture of chaotic humanity. Los Angeles as a sanitized, impersonal place, plunged into confusion and where the Chinese seem to have taken control of trade. The story reflects the suffering, the instinct of survival, social rejection by the Intermediate Réplicans of these robots apparently used as human slaves. But the scenario demonstrates repeatedly, through religious symbolism in particular, that to play God, men are lost and failed to recognize that their creations have a soul, and feel emotions.

Blade Runner Music

The film then becomes a metaphysical reflection on the sensitivity, awareness of his own condition (through this quest for immortality rebel replicants), the inevitability of death, which destroys everything and plunged the people into the oblivion. As such, the death of Roy, the leader of replicants, is one of the best sequences of cinema. Her last line is a power and an unparalleled poetry. Throughout, the narrative takes the form of a hunt. The final chase scene where the roles are reversed tracker and tracked, is absolutely outstanding. The final plan, if leaves some questions unanswered, results in subtle ways that, in this sanitized world, sparks of humanity may arise.

Combining the perfect metaphysical scenario and sensitivity to aesthetics with futuristic gothic beauty, Blade Runner is a wry poem about the human condition, a monument to science fiction visionary with more than one title.

To conclude, I shall end by the famous chef's latest tirade of replicants, who speaks for both the poetry and beauty that emanate is breathtaking: "I saw so many things you humans would not believe. I saw some fabulous ray, C ray glow in the shadow of the Tannhauser gate. All those moments will be lost in oblivion, like tears in the rain ... Time to die. "